If you’re familiar with Edward Curtis’ project, “The North American Indian”, you may have seen vintage photographs of Native Americans wearing medals and adornments around their neck. Have you ever wondered about the significance of such metals? There is still some controversy over the use and impact of ‘peace metals’ in furthering diplomatic relationships between […]
Valley Fine Art Hosts Reception to Benefit the Curtis Legacy Foundation Opening reception February 14 & 15 from 5 to 9pm at the gallery Aspen is home to the most thorough collection of Edward S. Curtis photographs in the West. This unique and rare collection is a draw for collectors and historians alike. Mark your […]
PRESS RELEASE – FOR IMMEDIATE RELEASE This summer Valley Fine Art is presenting an exceptional collection of original goldtone photographs by master photographer and ethnographer of the North American Indian, Edward S. Curtis. The sixteen-piece collection is comprised of Curtis’ most iconic imagery—An Oasis In The Badlands, The Vanishing Race, A Son Of The Desert […]
Though it differs throughout tribes, there are many similarities in Native American Medicine. The primary function of most medicine men is to secure the help of the spirits. Sometimes this help may be sought to heal illness, psyche, or to promote harmony between people or nature. Medicine men are not necessarily doctors or herbalists in […]
The epic battle of Little Bighorn took place in 1876 and remains shrouded in controversy to this day. Warriors of the Lakota Sioux, Northern Cheyenne, and Arapaho tribes clashed with men of the 7th Regiment of the US Cavalry led by the famous and well-loved General Custer. The battle was a bloody display of the […]
With the support of President Roosevelt and the financial backing of J.P Morgan, Edward Curtis was able to produce a photo-ethnographic study that was (and still is to this day) widely regarded as the finest set of limited- edition books ever made in America. The North American Indian consists of twenty volumes and twenty portfolio sets. […]
Known as one of Edward Curtis’ favorite medium, he describes the medium beautifully: “The ordinary photographic print, however good, lacks depth and transparency, or more strictly speaking, translucency. We all know how beautiful are the stones and pebbles in the limpid brook of the forest where the water absorbs the blue of the sky and […]
When I think of the Plains Indian Photographs of Edward Curtis, the first images that typically come to mind are of his striking Native American portraiture. But, his images contain so much more than just faces. I find the scenery of the American West that he captures in conjunction with the Natives helps deepen the […]
Edward S Curtis art is focused on Native Americans from the United States. Edward S. Curtis’ iconic photograph of Chief Joseph of the Nez Perce introduced America to a brave chief who led his people during a time of great upheaval for Native Americans. Initially, there was a tenuous peace between the Nez Perce and the […]
Since the 1970’s Edward Curtis’ iconic images have surfaced from a whole variety of places: libraries, family heirlooms, undocumented museum collections, pawn shops, discovered in the basements of old houses, etc. And, since the 70’s, the artist’s work has consistently gone up in value to collectors. But why is Curtis so relevant? What really makes […]
Valley Fine Art presents two of Edward S. Curtis’ most seminal photographs, Canon De Chelly and An Oasis in the Badlands, both traditional gelatin silver prints. Both images were, in fact, included in Curtis’ magnum opus, The North American Indian: Canon De Chelly is Plate 28, photographed in 1904 and An Oasis in the Badlands, […]
Ansel Adams, the iconic American photographer, is famous for having said, “No man has the right to dictate what other men should perceive, create, or produce, but all should be encouraged to reveal themselves, their perceptions and emotions, and to build confidence in the creative spirit.” Isn’t that notion what is in the real guts […]