Tomás Lasansky’s work can be found in the collections of the Ball State University Museum of Art, Muncie, Indiana, Cedar Rapids Museum of Art, Cedar Rapids, Iowa, Chazen Museum of Art, University of Wisconsin, Madison, Wisconsin, College of Wooster Art Museum, Wooster, Ohio, Figge Museum of Art, Davenport, Iowa, Hunter Museum of American Art, Chattanooga, Tennessee, Iowa State University, University Museums, Ames, Iowa, Kalamazoo Museum of Arts, Kalamazoo, Michigan, La Salle University Art Museum, Philadelphia, Pennsylvania, Lincoln Presidential Library and Museum, Springfield, Illinois, Lowe Art Museum, University of Florida, Miami, Florida, New Mexico Museum of Art, Santa Fe, New Mexico, Spencer Museum of Art, University of Kansas, Lawrence, Kansas, Toledo Museum of Art, Toledo, Ohio, University of Richmond Museum, Richmond, Virginia, Vero Beach Museum of Art, Vero Beach, Florida, Virginia Museum of Fine Arts, Richmond, Virginia, West Valley Art Museum, Surprise, Arizona, United States Embassy: Riga, Latvia; Vienna, Austria; Surabaya, Indonesia; Suva, Fiji; Belgrade, Serbia.
Lasansky has exhibited his work throughout the country and has won numerous awards and honors from over 100 competitive juried exhibitions. He graduated with an Masters of Fine Arts in 1984 at the University of Iowa, but he has also received a lifetime of education from his father and famous printmaker, Mauricio Lasansky.
Tomás Lasansky lives and works in his Iowa City gallery and studio. He is a nocturnal creature, devoting nearly every night and sometimes the early hours of the morning to the canvas. The walls of his gallery are covered with recently completed drawings, paintings and prints. Works in progress fill the studio along with numerous tubes of paint and trays full of sharpened colored pencils. Hand made paper purchased from a street market in Bangkok and even old prints and drawings are cut up and used for collage.
For over a decade Lasansky’s work has been influenced by his enthusiasm for American History and the significant figures of our nation’s past. In the gallery hanging next to a life-sized portrait of Geronimo or Sitting Bull one might find a drawing or print of President Abraham Lincoln, Walt Whitman or Picasso.
“I’ve been truly inspired by our greatest leaders, artists and thinkers. However, I’ll never be able to completely forgo the use of live models. The model is the muse that breaths new life into my work.”